Samantha Akkineni says The Family Man was ‘scary, risky’ for her: ‘Thought it would flop badly or…’


Actor Samantha Akkineni took a guess when she determined to play the role of Rajalekshmi Sekharan/ Raji in The Family Man season 2. As she had progressively remained correct via the confines of a quintessential heroine, it used to be moderately a surprise to peep her as a trained LTTE operative, residing undercover in Chennai. “I had been put on this ‘shimmering girl’ slot. I believed this role would flop in actual fact badly or work in actual fact neatly. It fully hinged on the efficiency. It used to be very scary and unstable for me,” Samantha told

Indeed, it is protected to claim that her gamble paid off. Her efficiency as a lethal assassin, who’s hardened by the bloody civil war of Sri Lanka, grew to change into one of many highlights of the sequence. One moment she is a helpless lady at chance of exploitation. The next, she is a lethal force, who can spoil with out thinking twice. “I never expected so many of us to name and message me (to adore my efficiency). I got calls from these that never known as me ahead of,” she added.

Samantha got unanimous praise for efficiency and he or she is expected to creep away with several awards. The first of the accolades, used to be when she not too long in the past bagged the Simplest Actors award at the Indian Film Competition Of Melbourne (IFFM).

“I don’t mediate I would signal something thinking this can procure me awards. I signal roles that I in actual fact bear in mind in. The roles that I bear in mind will procure me an even bigger person. But, the awards are repeatedly welcome as they’ve repeatedly inspired me to blueprint better. In that formulation, I’m thankful for awards,” added Samantha.

Samantha Akkineni in The Family Man season 2. (Photo: Amazon Top Video)

Whereas Raji is simmering with murderous rage and lifetime trauma, she just will not be one for talking worthy and is tremendous focussed on her lethal mission. The persona had minimal talking traces, which used to be extra of a problem for Samantha. “I was given the role of a trained fighter with not worthy dialogue. So I needed to make certain I physically looked the portion even supposing I’m shrimp. The body language and the physicality of the persona used to be something I in actual fact labored on. It wanted to glance adore not worthy thought used to be put into Raji’s mannerisms but in actual fact, I put moderately about a thought into it,” she added.

The role used to be physically taxing and used to be a test of Samantha’s energy and endurance. She needed to abolish the entire stunts herself whereas making it glance effortless and orderly. “I watched moderately about a valid-existence photos and documentaries. That surely helped me. Also, I labored with a bunch of neatly-behaved groups, including directors and stunt contributors. Stunt master Yannick Ben has an out of the ordinary form of combating. It used to be very, very outlandish. And I needed to imitate his vogue. I don’t mediate he thought he had a particular vogue in the vogue he moved and fought,” she acknowledged.

Samantha feels moderately liberated in the home that has been created by the OTT platforms. “OTT has been a terribly welcome alternate not just correct for actors but additionally for technicians. It is blurring the road between the entire industries. It has change into an amalgamation of all factual abilities. Audiences are additionally lapping up all sorts of voice. One doesn’t want to terror about whether an OTT film/sequence is commercial enough or romantic enough. That you would be in a position to gain so worthy opportunity to put out what you watched in and gain an target market that will like it,” she added.

Nonetheless, at the equal time, she additionally believes the outlandish abilities of community viewing just will not be going any place. “It is something that India will never let hurry of,” she opined.

Samantha additionally urged that as she is in a recent segment of her occupation, she is extra inclined to procure some  unconventional picks. “I repeatedly made picks in step with how I recover at what I’m doing. Enchancment comes even as you accept complex and layered roles. Human beings are very complex creatures. We’re not just correct dusky and white adore most of our heroes and heroines in commercial cinema. I’m taking a ogle roles that stumble on the existence in between,” she signed off.

You may also like...

Leave a Reply

Your email address will not be published. Required fields are marked *