‘Stop-Zemlia’ Review: A Bittersweet Coming-Of-Age Tale of Hopes, Dreams, Anxieties

‘stop-zemlia’-review:-a-bittersweet-coming-of-age-tale-of-hopes,-dreams,-anxieties

Coming-of-age movies are on the total hyper-centered on their famous protagonists, insist Lady Rooster and Moonlight, following their development whereas the enviornment spherical them merges into their particular particular person journey. Ukrainian filmmaker Kateryna Gornostai shifts this dynamic a shrimp in her debut coming-of-age film, Stop-Zemlia, which follows Masha (Maria Fedorchenko) whereas touching intimately upon the lives of those spherical her. 

Stop-Zemlia unfolds in a languid sort, by no system speeding to jump off impart capabilities or garner perception into its characters, which works beautifully in desire of the odyssey. The central trio, Masha, Senia, and Yana, use most of their time doing what the accepted adolescent does—talking about relationship, sleepovers, and sharing their unstated anxieties about the future with one one other. The aloof issues of self-ache and depression are etched with abundant nuance, infusing the lives of the characters with a diverse mark of hope that entirely exists whereas you’re a teen, raging against the bittersweet kaleidoscope of the enviornment.

The film is segment personality stumble on, segment documentary, with the total teens enthusiastic taking part in a deepest interview, answering questions equivalent to “how does it in reality feel to be in like?”(the solutions to which would be diverse however dizzyingly lawful). Gornostai permits sure sequences to resolve naturally, such because the sequence in which the trio gets below the influence of alcohol all over a sleepover, taking turns kissing one one other whilst getting high-an act of re-asserting like somewhat than a hormonal whim. On the opposite hand, there are conditions of familial dysfunction that meld some characters, equivalent to Masha’s crush Sasha, who shares a deeply advanced, frenetic dynamic with his mother, who frequently makes him in reality feel battered and suffocated.

The cinematography of Stop-Zemlia is gorgeous, interwoven seamlessly with the fastidiously-crafted dwelling accomplish, especially Masha’s bedroom and the long-photos within the college scenes. The color palette is muted and brilliant on the the same time, symbolizing the duality of existence, especially for those all over the tumultuous age bracket whereby the future seems every promising and horrible without delay. This, indubitably, is refined by overwhelming social dismay, the stress to succeed and meet sure (mostly parental) expectations, unrequited feelings, and the innate need for acceptance. The previous and the novel meet and unmeet in a formless system, departing from the established sensationalism inherent inner most choices within the genre.

Though monstrous on many fronts, such because the dearth of a gradual course (which shouldn’t be any longer repeatedly a deplorable part, by any system) and a bent to cruise over elements as a substitute of delving deeper, Stop-Zemlia is a refreshing foray into the richer textures of stripling life. The demand of whether or no longer the overarching idea patterns and emotions are subconsciously carried over to maturity is left unanswered, as it is miles indeed advanced to navigate, as a segment of who we were inexplicably bleeds into who we are in a impart of constant evolution. The actors, regardless of having no vulnerable acting background, bloom of their respective roles moderately well, adding a naturalistic flair to the awkwardness of stripling life.

In essence, the bittersweet, double-edged enviornment of formative years, rife with parties buzzing with obedient camaraderie and jilted feelings, is expressed with abundant skill in Stop-Zemlia, making it a must-judge. 


Stop-Zemlia is a 2021 Drama film written and directed by Kateryna Gornostai.

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