‘The Lost Daughter’ Review Analysis: A Tale of Motherhood, As Told By Mothers!

‘the-lost-daughter’-review-analysis:-a-tale-of-motherhood,-as-told-by-mothers!

Maggie Gyllenhaal’s directorial debut is a foray into movie in ways obvious to be particular person. A ‘psychological thriller’ is what the movie has been dubbed, and per chance no other has fit so completely into the named style. A movie intent on unsettling whereas evoking and serving up emotion, the Misplaced Daughter is a novel triumph.


Leda Caruso – The Unnatural Mother 

Olivia Colman steps into the sandals of Leda Caruso with a force of will and persona that has us at a loss for phrases and intrigued, upset by and in fright of. She seems obvious to be completely comfortable on her vacation, however the interruptions are profound, even when they’re within the earn of silent nasty fruit. 

A professor on a working vacation, Leda is strange in her contradictions. Uncommon per chance, because of so every so often are we glance to characters who enact no longer develop the sphere, however reasonably live it with an absolute lack of exposition. Leda tells us the real fact of her motherhood in memorable lines we might well even count on our fingers, the leisure of the time, it’s shown to us. In her fright, her pleasure, her opinions and within the woman she watches, we be taught repeatedly that that is now not any longer a girl who will seemingly be pinned down into a persona sketch. She is a human, obvious on being basically the most human one might well even be, behaving like this lady and that lady, caring like that mother and dismissing like that other mother. She is a portrait of every human impulse, and each feminine urge, and at last, a series of every secret of motherhood. 

Her daughters are what she is requested about, like every mother is. Her daughters are what she talks about, like every mother does. And regardless of every event that can even focal level on her narrate of ‘unnatural’, all of us know with pricking uncomplicated assignment and unwelcome readability that she is every mother prior to, every mother now, and each mother we might well even become. 


Nina – The Misplaced Mother 

It’s Nina who Leda watches on the seaside, lined by unlit hair and kohl eyes, floating it seems, with her daughter. Nina lays within the water, leans against the bricks, kisses her husband fervently and catches Leda’s eyes with unabashed curiosity. 

It’s Nina who’s the mum of the misplaced. The daughter who’s misplaced handiest momentarily and stumbled on by Leda. A second the build Nina seems to be like she ‘used to be going to die.’ She is the mum of the stumbled on daughter who has misplaced her doll. As soon as extra, she is subjected to be troubled and desperation. This time (on behalf of the doll) from her daughter, who will rage and content and content without kill. The daughter who refuses to be let down and the daughter who’s ‘utilizing Nina loopy’. It’s glaring as Leda watches Nina, and we are allowed to glance Nina, that she is dawning on the real fact that she is in a existence she can never journey. She is a mother, of the misplaced, the stumbled on, the joyful, the wailing, the damage and the happiness. 

With Nina, all of us know that we are within the firm of a girl as intrigued by Leda as we are. We moreover know that the intrigue Nina herself holds for Leda, is a portion of the puzzle we are staring at. A portion of that which is lingering all around the movie, haunting every turn and each be conscious unsaid. 


The Truth, As Told By A Mother

The movie leaves us with a onerous tablet to swallow, that we are staring on the real fact of motherhood. This belief is served as much as us because of Maggie Gyllenhaal, who wrote the tailored screenplay, is a mother. Olivia Colman, who plays Leda, is a mother. Dakota Johnson, who’s now not any longer, is allowed to be the mum who’s starting to be conscious what this style of existence manner. 

She asks, pathetically, in a second of comfortable vulnerability, if it passes. She says she thinks it’s depression, however all of us know that whatever it’s, it is a of motherhood, of the ‘crushing accountability’ it serves. And Leda tells her, whereas moreover telling us, no. It doesn’t pass. None of it passes.

There are two lines in which the movie manages to point out us the real fact, aided and made devastating by the context of the scenes prior to and after. Leda says she left her children for three years, three years she did no longer take into myth them. And the first half of of the merciless fact involves us. ‘It felt amazing.’ Later, great later, when we judge that all of us know all there is to know now, she is requested why she went wait on. Why did she return if it felt amazing without her children? 

She shrugs. “I’m their mother. I went wait on because of I missed them.”

Also Read: ‘The Misplaced Daughter’ Explained


The Misplaced Daughter is a 2021 that marks the debut of Maggie Gyllenhaal. It stars Olivia Colman, Dakota Johnson and Jessie Buckley within the lead roles.

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