When Trivikram called Sirivennela Seetharama Sastry ‘the sun who rises at midnight’
Written by Gabbeta Ranjith Kumar
| Hyderabad |
December 1, 2021 3: 11: 59 pm
Trivikram and Sirivennela Seetharama Sastry collaborated on films esteem Jalsa, Agnyaathavaasi, Aravinda Sametha and Ala Vaikunthapurramuloo amongst others. (Photos: SitharaEnts/Twitter)
It was the twelve months 2012. An auditorium in Hyderabad was corpulent of Telugu movie enterprise bigwigs and fans gathered for Maa Tune Awards 2012. Legendary Telugu lyricist Sirivennela Seetharama Sastry was region to be felicitated at some level of the awards night. Forward of the commencement of the felicitation ceremony, the anchors invited director Trivikram to talk just a few words about the lyricist. After Trivikram’s speech which remains memorable to in the intervening time, the final auditorium went berserk with claps and whistles.
In his speech, Trivikram said: “My energy and vocabulary are inadequate to describe the poetry of Seetharama Sastry. Attributable to his song ‘Pragdisha Veniya Paina Dinakara Mayoogha Thanthrula Paina’ from Sirivennela made me designate that dictionaries in Telugu exist. I equipped a Telugu dictionary to designate the that plot of the words of the song. He’s the man who made us mediate that a song can now not only be written to be understood by the audience but a song can furthermore be written to accomplish the audience esteem to designate it. He’s the poet who can accomplish you angry to discover unique Telugu words, and he’s the poet who at all times strives to work esteem that. He frequent significant words, that are complex to expend in cinema songs. First, we should always at all times respect him for that. As a director, I will imagine how gutsy he will were to write a song esteem ‘Tharalirada Thane Vasantham Thana Darikirani Vanala Kosam’ in Chiranjeevi’s Rudraveena. My salute to him for that. He’s the poet who creates his get condo to bring surrealistic aspects in his songs. In a global where all people believes that there isn’t any cost for literary work in commercial cinema, he creates condo to divulge a gigantic song. He’s the man who wakes up after all people goes to mattress. He’s the solar who rises at the hours of darkness. He goes hunting with words and alphabets. He throws questions at us that are complex to respond to and encourages us to never in finding defeat.”
“I quiet endure in mind. In my early days in Hyderabad, I watched Sindhooram, and there was a little dissatisfaction in me. But at the head, the traces ‘Ardhashathabdapu Agnaananni Swathanthram Andaama’ (penned by Sirivennela) left me in a trance. Handiest literature will absorb an impeccable impact on you. I strongly if fact be told feel upset that he remained here only on story of he’s a Telugu cinema lyricist. All people began believing in the belief that cinema songs produce now not absorb any literary cost. That’s is why we were now not in a region to respect writers esteem Malladi Ramakrishna Sastry, Devulapalli Krishnasasstry, Daasarathi, and Veturi. This day we’re lucky to absorb Sirivennela Seetharama Sastry, who brought a at possibility of vachana kavithvam,” he added.
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Indeed it isn’t an exaggeration to explain that Sirivennela Seetharama Sastry was the bridge between prone songwriting and up-to-the-minute literary work. This day he would possibly well presumably also merely now not be amongst us, but his lyrical work for films will accomplish him are residing on forever in the hearts of cinegoers.
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