Yen Peyar Anandhan Tamil Movie Download Leaked by TamilRockers, Movierulz, TamilGun, TamilYogi, Filmyzilla

Yen Peyar Anandhan opens with a observe from famous cartoonist-critic Madhan, which is the equal of a foreword that we discover in books. At one level within the movie, a personality compares movie to guide,so this properly ties into that view. This may also be thought-about as Sridhar Venkatesan mentally getting ready his viewers for what’s to come back. We get a prologue of types involving a beggar boy and the nationwide flag. The overtly melodramatic tone of this portion really makes us fear about what is perhaps in retailer for us.

And then, we study that this occurs to be a Cannes-worthy quick movie made by the protagonist Sathya (Santhosh Prathap, in a task that appears to be a throwback to his debut Kadhai Thiraikadhai Vasanam Iyakkam). He is about to make his function movie debut, which, he describes within the press briefing as “a big-budget, commercial project”. But then, on the day of the shoot, he’s kidnapped! Who has taken him hostage and what do they need?

Right from the outset, Yen Peyar Anandhan retains making an attempt to inform us that it does not need to be an everyday Tamil movie. If not something, the movie is definitely bold. For some time, it retains us unsettled over what is going on. Scenes lower away earlier than they finish forcing us to maintain guessing who the characters are and the place issues are going. But what this disjointed narration – which appears to be intentional – does is that it fails to make us have interaction with characters. Both the writing and the making lack finesse. Rather than revelations that occur organically, we get info dumped on us. The characters aren’t totally developed. Take the case of Sathya’s spouse Savithri (Athulya Ravi). It is a personality that’s strictly purposeful. We by no means get a way of the connection that the couple shares.

As for the abductors. We get sufficient ‘clues’ to grasp that this kidnapping has obtained one thing to do with movies. The partitions of their hideout are plastered with movie posters. There is an vintage TV set enjoying Raththakanneer. One of the abductors is called Marlon Brando, and he retains mimicking in style Tamil actors. Another one wears a masks that resembles a plague masks. They hold questioning Sathya on why he desires to make movies, and play him his personal quick movies, provide their verdict on them, and lecture him on what good cinema is. And the actors are all stiff. It is obvious that the movie is wannabe experimental cinema, which is each good and unhealthy. On one hand, there’s the real craving to be completely different. But on the opposite, we get quirks which can be principally pressured, particularly as a result of the filmmaking is stagey.

Thankfully, the storytelling turns into smoother within the second half, because it settles into a well-recognized construction. We realise that the abductors are basically typical vigilantes, even when the trigger that they’re preventing for appears new. We even get the Big Flashback that may be a staple of vigilante movies. As in Seethakaathi, cinema is seen because the final refuge for a dying artwork. If it was theatre in that movie, it’s koothu right here.

But the movie’s ideology appears fairly slim. The movie conveys the message that cinema is a price system not merely leisure. It is definitely a lofty splendid, however ought to we straitjacket cinema into simply that? Should all movies solely mirror life? What is unsuitable with movies being simply plain escapist enjoyable? At one level, one of many kidnapper complains that whereas many different movie industries make good movies – we get the same old Bengali (learn Satyajit Ray), Malayalam and Marathi movies argument) – the Tamil movie business doesn’t. It appears such a contradictory assertion coming from somebody who has posters of Kaaka Muttai, Visaaranai, Aaranya Kandam, Aadukalam and Kuttrame Thandanai on his partitions, and had solely in a number of scenes earlier criticised the hero for speaking about Akira Kurosawa and Majid Majidi whereas not realizing MK Thyagaraja Bhagavathar!

That stated, even when we do not have to purchase into the movie’s beliefs, the earnestness with which it goes about its work type of makes us look upon it a bit extra favourably.